October 6, 2012
A WALK WITH VAN GOGH

We got an earlier start today, and even though Auvers-sur-Oise was closer than Giverny, hardly anyone was there on this Saturday morning. It was a bit drizzly but did not affect our visit. There are few signs to help direct us, but after having a coffee on the main little street, we were able to buy our tickets to visit Auberge Ravoux, which is a museum above what is now a restaurant. It was here that Vincent VanGogh died after shooting himself in the chest two days earlier on July 29, 1890 (more about this later). We tromped up a staircase with a young man from the book shop to one of the two rooms upstairs and found ourselves in the smaller one where there was a reproduction of the only chair that was there at the time, after which we went into the larger room where we watched a short film about him.

Auvers was already a favorite destination of eighteenth century landscape painters before VanGogh arrived; all of this because the train allowed them to get out into the countryside.
Van Gogh had no money and rented this room for the price of six francs while under the care of his close friend, Dr. Gachet, who was homeopathic doctor to the artists in the area. VanGogh only lived in Auvers-sur-Oise for 70 days during which time he produced 80 of his paintings. We then went to see Auvers Church, the church made famous in his painting. We went inside and walked around and then headed to the back of the property, where there was a poster with the church; it was interesting to compare the two. There was only one other person in sight.
We were headed back down the hill when I saw a directional sign to VanGogh's grave; I told Judy and Ron that we must walk up that hill. Ron agreed to tromp up the hill with me and I thought it would be enormous tomb but the grave plot was small. Vincent's beloved brother, Theo, was buried next to him (Theo died only a year later). There were wreaths of flower laid over the grave.
We were starving by this time, and found a little out-of-the-way restaurant, Le Chemin des Peintres. No one there (it was 1 p.m.) when we arrived, and we had a delightful lunch and a great conversation with the owner, who is very involved in an organization focused on organic produce. If we had come the day before, there would have been a train ride with an organic picnic lunch, just one of the events about which we learned.
It was raining by then, and we came upon the Absinthe Museum and learned about the poets' elixir, known as "the green peril" (absinthe was outlawed in 1915).
We walked up the hill to the Chateau d'Auvers, which offered a self-guided 90 minute tour, each topic presented in a separate room; it all led up to the movement of the painters to the countryside, this being made possible by train travel. The Impressionists found their niche with the open air, fields and countryside becoming available as subjects.
The Church at Auvers
We ended our afternoon at the Chateau d'Auvers with a film about all the French impressionists (in French) which was quite nice. Charles Daubigny was mentor to man of the younger painters like Renoir, Monet and Cezanne, who together with VanGogh, visited him. Daubigny's painting are in the Daubigny Museum, which we did not get a chance to visit.
In one of the shops we visited later, I found a book about VanGogh's supposed suicide and the shop clerk and I had a long conversation. I learned that the gun was never found but that several years ago someone found a gun in that field that was dated back to that time period (the book I found was about that). I had read somewhere that there is a theory that VanGogh did not commit suicide, and when I asked her about that, she told me that a book had come out about that subject. The always-believed story is that he went to pick up the gun to shoot himself again and could not find it, so somehow got back to his room where he later died.
I thought about this, because if he could not find the gun that he had just dropped, how was he able to make it a mile back to his room and go up all of those steps? When I asked her about the book, she said she thought it was "A Life" and I knew which book she meant. She remarked that it was "
an American thing." The book theorizes that he was shot by a local boy with whom he had spent a lot of time at a local villa and with whom he had a complex relationship, including the boy buying him drinks and teasing him. The authors believe that VanGogh did not implicate the boy afterwards because VanGogh welcomed death and because he did not want the boy to be punished.
This evening it did not take us long to get back to Vaujours, and we enjoyed a snack and conversation. Another great day!